NOEME WILLEM
VISSER Wie en Waarom

LITURGIE &CETERA Thema's
 Kerkelijk Jaar
Hoofddienst  Getijden Devotie Uitingsvormen 

Liturgie

LITURGIEK
Liturgiek TVG

Liturgiegeschiedenis

Joods

Vroeg Christelijk

Oosters Orthodox

Westers Katholiek

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HYMNOLOGIE

Geschiedenis van de Hymnodie

Oud Joodse Hymnodie
Vroeg Christelijke Hymnodie
Griekse Hymnodie tot 900AD
Latijnse Hymnodie
Lutherse Hymnodie
Calvinistische (Franse) Psalmodie
Nederlandse Gemeentezang
na de Reformatie

Engelse Hymnodie

Muziekgeschiedenis


Kunstgeschiedenis

Prehistorie, Oudheid en Vroege Middeleeuwen
Middeleeuwen
Renaissance
Barok en Rococo
Negentiende Eeuw
Twintigste Eeuw



 

Geschiedenis van de Christelijke Mystiek rond personen(25)
Zeventiende eeuw n.C.
The seventeenth century rivals the fourteenth in the richness and variety of its mystical life. Two main currents are to be detected in it: dividing between them the two main aspects of man's communion with the Absolute. One, symbolic, constructive, activistic, bound up with the a ideas of regeneration, and often using the language of the alchemists, sets out from the Teutonic genius of Boehme. It achieves its successes outside the Catholic Church, and chiefly in Germany and England, where by 1650 his works were widely known. In its decadent forms it runs to the occult: to alchemy, Rosicrucianism, apocalyptic prophecy, and other aberrations of the spiritual sense. The other current arises within the Catholic Church, and in close touch with the great tradition of Christian mysticism. It achieves fullest expansion in France, and tends to emphasize the personal and intimate side of contemplation: encouraging passive receptivity and producing in its exaggerated forms the aberrations of the Quietists.