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 PREFACE Hymns and Psalms 1983 HYMNS and Psalms have been in the past, and still are today, distinctive 
        features of Christian worship. They unite the intellect, the emotions, the will, and the voice, in the human 
        response to God's grace; and they also point
 beyond our human faculties and abilities, for God addresses us in them, 
        and through them applies the good news
 of Jesus Christ to our lives. Their combination of music and poetry provides 
        a medium for God's Word, and a way
 in which our hearts and minds may become open to that Word. Hymns and 
        Psalms, in as much as they are based on
 what God 'has done, is doing, and has promised to do' (to quote James 
        Wallis's 1841 Preface to his Psalms and
 Hymns), can provide a focus for worship, because they proclaim God's creating 
        and redeeming love, and because
 they express our response to that love. They assist in making possible 
        a worship which is God's approach to us,
 and our approach to God; George Herbert might have described hymns, as 
        he did prayer, as 'God's breath in
 man returning to its birth'. And as we sing hymns together, they form 
        part of a worship which is a growth in
 Christian understanding and fellowship.
 The choice of the title Hymns and Psalms reflects a concern with this 
        growth in understanding and fellow-ship. It also expresses the belief that this occurs most naturally within 
        the long and honoured tradition of
 Christian worship, going back to the earliest times of the church. The 
        title is itself a biblical phrase, recalling our
 debt both to the early church and to Ancient Israel. As a hymn book title 
        it recalls distinguished predecessors, such
 ,is the 1841 Psalms and Hymns quoted above, and also John Wesley's Psalms 
        and Hymns for the use of all christians
 (1741), which it resembles both in name and in intention. It affirms our 
        thankfulness for the classic traditions of
 spirituality which we have inherited.
 The publication of Hymns and Psalms owes its origin to a decision of 
        the British Methodist Conference of 1979, which resolved that a new hymn book should be prepared, to embody the 
        best traditions of Methodist
 hymnody and to be a *contribution to the life and worship of the universal 
        church. The same Conference empowered its
 Faith and Order Committee to encourage as wide a participation of other 
        churches in the project as should
 prove practicable. The present committee has been greatly heartened by 
        the degree of participation by many de-
 nominations in its work; and it has become increasingly aware of the potential 
        of this book to build from accepted
 denominational traditions towards a richer sharing of our diverse interests 
        and our common heritage. The Methodist
 Conference has been able to scrutinise the various drafts of this book 
        to ensure that the Methodist emphases are
 present within it, and has authorised it as a successor to the Methodist 
        Hymn Book of 1933; agreeing also to its full
 title, Hymns and Psalms, A Methodist and Ecumenical Hymn Book.
 The 1933 Preface declared that 'the claims of poetry have always been 
        in mind, but those of religion have been paramount, and not a few hymns have been selected chiefly because they 
        are dear to the people of God.' The
 same principle has been followed in this book. Hymns and Psalms is unusual 
        among hymn books in the very great
 debt owed by its compilers to the public correspondence which has guided 
        and informed their work: careful note
 has been taken throughout of the public response to preliminary drafts 
        of its contents. There is no doubt that
 one result of this public participation has been to give Hymns and Psalms 
        a breadth of appeal and sympathy
 which should greatly assist its avowed intention of assisting the growing 
        together of the people of God.
 This intention will be evident also in the methods of editing used. Since 
        the purpose of the book is to provide an ordered and authoritative collection of material commonly available 
        and used in the various denominations,
 the editing of this material has taken account of present practice as 
        well as of historical research. Textual alterations
 have been made only where these could be pastorally as well as editorially 
        sanctioned. Even this degree of editing
 may mean that initially some congregations will find differences in words 
        and in musical setting from the texts
 and tunes with which they are familiar. These changes have been kept to 
        a minimum: but without such altera-
 tions the present publication would not have enhanced significantly the 
        hymn-singing in fellowship of those who
 come from different traditions. As far as possible (in material open to 
        copyright changes, and insofar as
 metrical and poetical considerations permit) the compilers have endeavoured 
        to offer hymnody which takes equal
 account of the place of both women and men in the life of the church, 
        so that no one may be inhibited by insensitive
 editing from making a full offering of herself or himself in God's service.
 In other respects the compilers have sought to recognise that many changes 
        have taken place, both inside and outside the Christian church, since the publication of the great 1933 
        hymn book. The great and terrifying events
 which have occurred since then have revolutionised our thinking about 
        the world in which we live and the
 condition of human kind. The second world war, for instance, put an end 
        to the idea that the 1914-18 war had
 been a war to end all wars, and the discovery of the concentration camps 
        revealed a systematic and dreadful
 inhumanity which uncovered hitherto unimagined possibilities of evil in 
        men and women. 'After Auschwitz', said
 Theodor Adorno, 'no poetry.'
 The war ended with the dropping of the atomic bombs on Hiroshima and 
        Nagasaki, and since then the possibil-ity of the destruction of whole portions of the world by nuclear weapons 
        has become more frightening year by
 year. At the same time there have been other revolutions of amazing potential 
        for good and for evil: in communica-
 tions, in information storage and retrieval, in genetic engineering, in 
        the development of materials for germ
 warfare. Fifty years after 1933, we live in a global village, linked instantaneously 
        to our brothers and sisters in other
 countries, and concerned inevitably with their hopes and fears, their 
        triumphs and disasters. In compiling this
 hymn book, the committee has sought to respond to our changing times, 
        and to produce a book which articulates
 the needs, the joys, and the fears of the contemporary world. Such an 
        editorial policy has an honourable history.
 Isaac Watts wrote in the Preface to Hymns and Spiritual Songs: "The 
        most frequent tempers and changes of our
 spirit, and conditions of our life, are here copied, and the breathings 
        of our piety expressed according to the variety
 of our passions, our love, our fear, our hope, our desire, our sorrow, 
        our wonder, and our joy, as they are refined
 into devotion, and act under the influence and conduct of the blessed 
        Spirit; all conversing with God the Father by
 the new and living way of access to the throne, even the person and mediation 
        of our Lord Jesus Christ."
 This policy has been implemented in two ways. First, by including a considerable 
        number of hymns written during the last twenty or thirty years, many of which are attempting to give 
        a new expression to the everlasting
 truth of the Gospel. It is a matter of rejoicing to the committee that 
        it has been able to engage in its work at a
 time when modern hymnody has flourished more vigorously than at any previous 
        time in this century. Secondly,
 the structure of the book has been designed to allow a strong second section 
        on God's World. This is concerned
 with the natural world and human use of creation, with the social order, 
        and with the human condition. In this
 section will be found hymns which give expression to the needs of the 
        world and the Christian response to those
 needs.
 The section on God's World is preceded by the first section on God's 
        Nature, in which the hymns explore and celebrate the nature of the Eternal Father, the life of the Eternal Word, 
        and the work of the Eternal Spirit. The third
 section, God's People, is concerned with Christian living and with the 
        function and purpose of the church. The
 structure of the book has therefore been carefully designed, and it has 
        been modified during the committee's
 deliberations in the light of debate and criticism. As a result, the compilers 
        can echo the words of John Wesley's
 magnificent Preface to the 1780 Collection of Hymns for the use of the 
        People called Methodists, and can appropriate
 them with confidence for the present book:
 It is not so large as to be either cumbersome, or expensive: and it is 
        large enough to contain such a variety of hymns as will not soon be worn threadbare. It is large enough to contain all the important 
        truths of our most holy religion, whether specula-
 tive or practical; yea, to illustrate them all, and to prove them both 
        by Scripture and reason: and this is done in a regular
 order. The hymns are not carelessly jumbled together, but carefully ranged 
        under proper heads, according to the experi-
 ence of real Christians. So that this book is, in effect, a little body 
        of experimental and practical divinity.
 To the surprise of the committee responsible for Hymns and Psalms the 
        public reaction regarding the place of the Psalms in this book was vigorous and widespread, arguing strongly and 
        consistently for their inclusion.
 There is no doubt that the reading and singing of the Psalms has become 
        an established feature of the worship
 of many churches. A careful selection of Psalms suited to various lectionary 
        systems in current use has therefore
 been added to the hymns, with a sequential numeration which will simplify 
        reference to them. Indications for
 responsive reading have been given, and settings for congregational singing 
        have been included.
 The compilers of this book would also recommend to its users the advice 
        of john Wesley: 'Sing ALL!' Its potential for good depends principally on the whole-hearted vocal participation 
        of all who are present at worship. For this
 reason, congregational singing, in town and in country, has been an over-riding 
        concern in the selection of the
 music; very few items have been included specifically for festival use, 
        or for occasions when choirs are an essential
 feature. 'Sing ALL!' should also encourage the development of a generous 
        repertoire, as the book becomes
 progressively better known: only by the use of material from the broad 
        spectrum of hymnody which is offered will
 Christians of different traditions be enabled to grow together in understanding 
        and fellowship.
 As the music of this book has been selected to encourage congregational 
        singing, so too the words of the hymns have been chosen because they are representative of the best of 
        ancient and modern hymn writing. All of
 them, in Wesley's words, 'talk common sense'; the greatest of them demonstrate, 
        as he finely put it, 'the
 purity, the strength, and the elegance of the English language; and, at 
        the same time, the utmost simplicity and
 plainness, suited to every capacity.' Wesley desired his readers to judge 
        'whether there be not in some of the
 following hymns the true Spirit of Poetry, such as cannot be acquired 
        by art or labour, but must be the gift of
 nature'; but he considered that the needs of the religious life were of 
        paramount importance. His last words in the
 Preface should ring in the hearts of all compilers of hymn books, and 
        all users of them:
 That which is of infinitely more moment than the Spirit of Poetry, is 
        the spirit of piety. And I trust, all persons of real judgement will find this breathing through the whole Collection. It is 
        in this view chiefly, that I would recommend it to
 every truly pious Reader, as a means of raising or quickening the spirit 
        of devotion; of confirming his faith; of enlivening his
 hope; and of kindling and increasing his love to God and man.
 When Poetry thus keeps its place, as the handmaid of Piety, it shall attain, 
        not a poor perishable wreath, but a crown that
 fadeth not away.
 Over two hundred years later, throughout the world, men and women are 
        seeking a deeper awareness of God and a fuller commitment to God's service. The compilers of this book believe 
        that these aims can be greatly
 furthered by a hymn book which is rooted firmly in denominational traditions, 
        and which makes available to
 all Christians the riches of classical, evangelical, catholic, and charismatic 
        hymnody of the past and the present. By
 approaching God through them, and attending to God's word in them, may 
        we all grow nearer to God, and in so
 doing grow nearer to one another in faith and fellowship.
 RICHARD G. JONES (Chairman) Ivor H. JONES (Convener)
 London, December 1983 
   
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