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PREFACE REJOICE & SING 1991 'Hymns are the folk-song of the church militant.' Erik Routley's remark in 1952 is illustrated by the fact that the later twentieth century has been as creative a period for the writing of new hymns as any in the history of the Church. Hymns have always been particularly important to those traditions represented in the United Reformed Church, whether Congregational, Presbyterian, or Churches of Christ, for they have enabled congregations to express together their worship and praise, their wonder at the almighty power and grace of God. The United Reformed Church was formed in 1972, and a year later The Church
Hymnary: Third Edition was published for use among Presbyterian Churches
in the United Kingdom. It was therefore not thought an appropriate time
for the new Church to produce a new main hymn-book of its own, and instead
New Church Praise was published in 1975. This was intended as a supplement
to existing books and contained some of the most recent hymns which were
not in earlier collections. At the beginning of the 1980s there were hopes
that the new hymn-book then being planned by the Methodist Church might
become an ecumenical hymn-book for all Churches; and the composition of
the editorial committee for Hymns and Psalms reflected that hope. In the
event, however, these hopes were disappointed. In 1985 the General Assembly
of the United Reformed Church, noting that stocks of Congregational Praise
would soon be exhausted, instructed the Doctrine and Worship Committee
to make proposals for a new main hymn-book, and these An Editorial Committee was appointed, consisting of Dr David Thompson
(Convener), the Revd David Gardner and Mr Alan Haywood (Joint Secretaries),
the Revds Barbara Gates, Alan Gaunt, David Jenkins, Dr Fred Kaan, Donald
McIlhagga, Caryl Micklem, Brenda Stephenson, Margaret Taylor, Dr Colin
Thompson, with Mrs Carolyn Brock, Mrs Marilyn Raggett, Dr Alun Jones (who
had to resign in 1987), and Mr Andrew Satchell. The Revd James Binnie
attended as an observer from the Congregational Union of Scotland. Sub-committees
were appointed to advise on words and music as follows: words-Dr David
Thompson (Convener), the Revd David Goodall (Secretary), the Revd Donald
McIlhagga, the Revd Dr Stephen Orchard, and Miss Ann Phillips; music-the
Revd Caryl Micklem (Convener), Mr John Hunt (Secretary), the Revd Brenda
Stephenson, Mrs Carolyn Brock, Messrs Paul Bateman and Alan Haywood, and
Dr Bernard Massey. The Committee is grateful to others who have given
freely of their time to help in the production of the book, particularly
Messrs Richard Wallis and W. E. White; the staff of Oxford University
Press have been most helpful; and the Revd Terry Oakley and Mrs Caroline
Ritchie, from the Faith and Life Department Unlike the existing hymn-books in use in the United Reformed Church, Rejoice and Sing is not a revision of an earlier book. The presence of three different traditions in the Church also means that where versions of a hymn or the customary tune differ, no particular version or tune has an established claim. The Words Sub-committee has tried, so far as possible, to establish the original text of each hymn, and in many cases has preferred that text to later amended versions. The Music Sub-committee has sometimes paired tunes from different traditions and sometimes chosen completely new tunes. The Editorial Committee in general has looked at recent hymn-books and collections with the intention of presenting the best from all parts of the Church in many lands and across the centuries. The result is a freely `catholic' selection of hymns which, in addition to Watts, Wesley, and other classic hymn-writers, includes great hymns of earlier centuries as well as contemporary hymns and some from the world Church. Certain features of the book deserve special comment. From the earliest
times the psalms have been an essential part of the Church's worship.
The Committee's aim has been to ensure that the book contains sufficient
psalms for every Sunday of the liturgical year and it has provided a single
selection of psalms. This contains traditional metrical psalms from the
Scottish and Irish Psalters, other metrical versions written by authors
past and present, and prose psalms set for chanting using Anglican chant,
psalm-tones, and Gelineau settings. In this way congregations have the
opportunity to become familiar with the great variety of ways in which
psalms can be used in worship. Hymns which are based on psalms, but explicitly
relate them to the Christian Gospel, are placed in the main sections of
the book. There is also a There is not a section of hymns for `times and seasons'-morning, evening,
marriages, funerals, harvest, etc.-and for these reference should be made
to the thematic index. Nor is there a separate section of children's hymns.
Similar problems occur in relation to archaic language. The Committee
has not attempted to eliminate all references to `thee' and `thou', though
where it has proved possible to substitute `you' in a way which does not
jar with the The feature which will probably be most novel is the inclusion of prayers
and responses for congregational use. The Order of Service for Holy Communion
in New Church Praise was widely welcomed. Here the Committee's aim has
been slightly different, since in order to maintain the freedom and variety
in worship which has characterized our tradition, we wished to provide
material which could be used in different ways. Hence the book begins
with an outline order of worship, and contains a numbered sequence of
prayers and ancient hymns which will be particularly useful for The order of the hymns reflects the truth that our worship begins and ends with God. `When we speak to God,' wrote P. T. Forsyth, `it is really the God who lives in us speaking through us to Himself. His Spirit returns to Him who gave it, and returns ... bearing our souls with Him ... The Christian ... prayer is the secretary of Creation's praise.' (The Soul of Prayer, p. 32.) The first main section therefore contains hymns of adoration for One God in Trinity. God's love overflows in creation and redemption, and this is the theme of the second main section. It is divided into three parts. The first, centred on God the Creator, includes such themes as God's created works, his call to righteousness, his forgiving and saving love, and our response of praise. The second, centred on God Incarnate, includes hymns on Christ's coming, birth, epiphany, life and ministry, passion, resurrection, ascension, and reign, and concludes with praise for the crucified and risen Lord. The third, centred on God the Life-Giver, has hymns of prayer for the Spirit and on the Word and the Spirit, concluding with praise for the Spirit. The theme of the third main section is creation's responses to God's
love. Again there are three parts. The first is concerned with the Gospel-the
need for God, and hearing and responding. The second is concerned with
the The book concludes with a section on the unity of all creation in eternal praise. `So identical is the praise of salvation,' wrote Henry Allon, `that the first great song of the Christian Church on earth can hardly be distinguished from the last song of the redeemed in heaven.' (Church Song in its relations to Church Life.) We gather for worship to praise God and to listen for his word. As we
do so, we see only too clearly that all our words and deeds are but a
feeble response to what God has done for us. In the words of Isaac Watts's
doxology to the Where reason fails, with all her powers, This also enables us to see his meaning when he says in another place (hymn no. 31): None but thy wisdom knows thy might, The Committee hopes that this book will enable all our congregations to rejoice and sing in the eternal praise of God, to whom be glory in the Church and in Christ Jesus to all generations, for ever and ever. Amen. David M. Thompson
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